You can't tell

But my tile came out of the kiln crooked.



I fired it too hot and too long.  It looks all right from this angle so I get to keep it. (Remember, I get to keep all rejects).

My Father never kept pieces that were not perfect.

It was a "ceremony" when he had to destroy one of his carvings.

Now you can see the problem.

The Albarello, to the left, you might think should be considered a reject.  No so.  I deliberately made it look old. 

I could frame the above tile (as I have done here) and no one would ever know that it is crooked. 

Have a great week my dear

Blogging Friends.

I'm still toiling in my garden.

Gina